Aranyer Din Ratri, another cinematic gem by Satyajit Ray is about four young men from kolkata who go to a jungle for a vacation, and after a series of misadventures and interactions with the local people and a family, from their part of the world, discover a fresh perspective. On the surface this movie looks very simple but on rumination this movie reveal a lot of hidden undercurrents. Though the movie is still very relevant today but it should be kept in mind that this movie was made 40 ago. It is a coming of age movie of that time. The conflicts which are so natural today were quite revolutionary at that time. Though admittedly a mistake, but the movie made me think about 'dil chahta hai' of recent times.
In the first few minutes of the film, even before the credits roll, the four young men are introduced by means of a friendly banter. Ashim, played by Soumitra, is the overconfident leader of the group, Sanjoy, played by Subhendu Chatterjee is a shy but confidant labour executive. Hari, played by Samit Bhanja, is a handsome cricketer who is recuperating from a heartbreak. Sekhar, played by Robi Ghosh is the adorable roly poly who creates laughter in the movie.
In the jungle they meet the cool and confidant Aparna, who intrigues Ashim to no end. From the beginning I abhorred Ashim's snobbish character. I was delighted, when, on a number of instances his confidence takes a severe beating from Aparna. She overwhelms him, sometimes by her sensitivity, sometimes by her presence of mind.
Simi Garewal plays Duli, the fine boned enchanting santhal. Her introductory scene when she is shown gorging on the local liquor is fascinating. Hari falls for her charms and chases her into the forest. Kaberi Bose plays the regular happy boudi, who reveals her loneliness in a weak moment when she tries to seduce Sanjoy. The scene has been done in great style wherein she adorns herself with santhali jewellery.
The movie has its light moments when the foursome keep falling in embarrassing situation. On an occasion the headlights of Aparna's car catch them doing a twist dance in a totally inebriated state in the jungle.Or when they are caught bathing by the well. My favourite is when Sekhar replies 'we are humans' when asked who they were by Aparna's nephew.
The memory game forms a central part of the movie wherein each of them name a personality which gives away their mental makeup. Liked it when Aparna named Cleopatra with a cute shake of her head. Aparna looked like a clear winner but gives up so that Ashim can win so as to satisfy Ashim's ego. Later when Ashim confronts Aparna she accepts that she had pretended to lose so that Ashim can win. I could not identify with it and I am sure many women will not be able to.
Aparna's character is treated with great sensitivity. She is shown to have excellent tastes, have great presence of mind and is presented as an enigma. One feels like knowing more about her.
The fact that Ashim hasn't bothered to find out about the sick wife of the chowkidar of the bungalow is pointed out by the Aparna which makes Ashim quite uncomfortable.
The movie leaves a lot of questions unanswered. To sum up or declaring that trying to sum things up for this movie is a futile attempt.


